"He's considered the force behind what is renowned as the world's greatest brass section. He represents the heritage and history of the Chicago Symphony Orchestra. His colleagues and Chicago Symphony supporters consider Bud Herseth has had more impact on the way the Chicago Symphony plays than any conductor. Herseth has inspired standards which have changed brass playing in every corner of the world." One of the best days of my life: Adolph Herseth, not only one of the biggest sounds of history, but also, one of the biggest hearts. He is 88, but he still loves music as if he was a kid. His personality and his wisdom provides me motivation to keep practicing, or as he would say, performing. I hope you can enjoy this video as much as I enjoyed this experience. Thank you, Mr. Herseth!
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The world renown Boston Brass gives a master class at the 2016 National Trumpet Competition on Saturday, March 12, 2016 in The Studio Theatre at Columbus State University, Columbus, GA.
When you watch this masterclass, notice the definition of music used here by Mr. Morris and the similarity of the definition with my own classroom practice. Craig Morris presents a Master Class at the 2015 National Trumpet Competition at Messiah College, Mechanicsburg, Pennsylvania on Friday, March 20, 2015. Here is a link to an index of BBC shows on streaming site Vodlocker:https://rollingoffset.wordpress.com/
Just type in 'Music" in the search box and you get these shows:
I think this is the most useful improv. workshop I've seen on Youtube so far. "Improvisation Using Simple Melodic Embellishment," a jazz clinic given at the 2012 NYSSMA conference by Mike Titlebaum, director of jazz studies at Ithaca College. In this session, attendees practice embellishing a common melody ("When the Saints Go Marching In") using straightforward melodic techniques such as passing tones, neighbor tones, and more complex techniques such as double neighbors and chromatic embellishment.
Later in the session, the same techniques are applied to learning another jazz standard, Cole Porter's "What Is This Thing Called Love?" The session ends with some Q&A about the techniques and process. NOTE FROM MIKE TITLEBAUM ON 11/21/2013: Lots of people have asked about getting the materials from this presentation. Thanks for all the kind words; I'm glad this had been helpful. You can download a PDF of the slides here: https://www.dropbox.com/s/45ltfyqcgnw... I'm sorry I can't give you any more materials quite yet. I can tell you that I am working on a book on jazz and pedagogy with a colleague, and we're hoping to have something published in the near future which will have much of this material in a more presentable format. -MT Here's a link that will help you find the sheet music to virtually every song you'll be asked to play: archive.org/details/TDavidFranklinMillionDollarCollectionofSheetMusic_0
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AuthorGary Gallagher is a music specialist teacher who wants to share what he has learned about music and appreciates your contribution too, by making comments and questions. Archives
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