I made mine from a Jaycar kit, but have just found this site that should make it a lot easier for you to get one of these instruments and start making music.
For a dictionary that explains what jazz people mean whaen they use a particular word, here is a dictionary: www.apassion4jazz.net/glossary.html
In fact, this linked site has an enormous amount of value to explore for any musos. Have fun exploring this site!
Here is the diagram described in the previous post "A Mnemonic for learning the modes:
Here is an approach to thinking about the various modes on any note. This mnemonic occurred to me as I was looking for a method of relating a note’s known major (Ionian) key signature with that note’s various modal ‘cases’. The idea of ‘cases’ and ‘degrees of flatness and sharpness’, ‘declining’ from the top of a clockface mnemonic is a synthesis of the circle of 5ths,a clock face,and the ‘declining of a noun’ used to teach Latin cases by adding stems to root words.
Let’s look at the diagram. The Ionian (Major ) mode has a certain number of #’s or b’s. These are always applied in a given order. 1 sharp will be F#. The second sharp will be C#. Flats likewise always are applied in the order Bb, Eb, Ab etc. Place the root note of your choice at the Ionian position. These will be your familiar Major scale root notes, and you will need to know your major key signatures. If you don’t, please memorize them!
Let’s use C as our 1st example.to instantly know what ‘declension’ to apply to change C major (Ionian) to C Mixolydian you move 1 place to the right. For every degree to the right we flatten the Ionian by 1 ‘degree’. Therefore C mixolydian will have 1 flat, and that will be Bb. To find C Dorian, you simply move
once more to the right, and therefore flatten by 2 ‘degrees’. So C Dorian will have Bb and Eb applied to a C root note.
Now let’s take a more complex example. Asked what the notes will be for a B phrygian mode, might take you quite some time to work out, but this kind of task is easy using my mnemonic. B Ionian has 5 sharps. Phrygian demands 4 ‘degrees of flatness’, ( This cancels out the A#, D#,
G#, C#), leaving B Phrygian to be a B root note played with one sharp, F#. (B,C,D,E,F#,G,A,B)
Another example: To play the locrian on A might take some working out, but not anymore! We flatten A Ionian by 5 degrees, so we cancel the 3 sharps and need to add 2 degrees of flatness, so A Locrian will use Bb and Eb only, applied to an A root note. (A,Bb,C,D,Eb,F,G,A)
The exception to this movement to the right is the Lydian mode. This is the mode that demands one move to the left of the Ionian mode on my mnemonic circle. This motion is a move of one ‘degree of sharpness'.
For example C lydian will be one degree ‘sharper’ than the Ionian, so add one sharp F#. To instantly name what the notes are for B Lydian mode, my mnemonic makes it easy. You simply sharpen by one degree, adding the E# to the usual five sharps of B Ionian. B,C#,D#,E#,F#,G#,A#,B
If you find any value in this mnemonic, please let me know by e-mailing me. i'd love to get some feedback!.
This site has transcriptions of classic solos by master trumpeters, and includes bios of those masters too.
Under the supervision of your teacher, you may find this breathing guide useful.
After playing for 50 years , how often did Louis Armstrong practice?
Here is a link to a youtube channel hosted by the master musician Daniel Barenboim:
This is a very interesting collection of various artist interviews:
I have found these really interesting resources for teaching (yourself?) music theory. They are very well laid out, and are made available on a commons license, so you are welcome to print, copy etc. Those so inclined might even donate!:
Teachers might like to laminate these and put them up in their music classroom.
Gary Gallagher is a music specialist teacher who wants to share what he has learned about music and appreciates your contribution too, by making comments and questions.